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That it lack of the mother seems, after that, as susceptible to some factors

That it lack of the mother seems, after that, as susceptible to some factors

It might be the result, as feminists conventionally argue, of Frankenstein’s rage for creative autonomy. Or it might be, alternatively, symptomatic of a repression of the mother by Shelley herself. 24 Could it be that Shelley’s autonomy as a creator, as much as Victor Frankenstein’s, depends upon the elision of motherhood from the creative enterprise? Feminist critics implicitly exonerate Shelley from such psychological tensions by reading her narrative as a cool intellectual critique of patriarchy, which at one level it emphatically is. But on another level it betrays an intense discomfort with the lot of the mother as origin of life given to death. 25 Shelley represses this biological fate and substitutes for it the labors of artistic creation. Her “hideous progeny” [Introduction 12], a work of art, is not subject to death, as were her <354>children. 26 Frankenstein lives today beyond all mortal touch. Jätka lugemist